Vamp 1

Written by

Robert Aldrich

 

Script created with Final Draft by Final Draft, Inc.

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INT. APARTMENT ON FRANKLIN AVE. -EARLY MORNING

               It is a small second-floor bachelor apartment overlooking a
               busy street. There is a couch near the windows, someone is in
               a sleeping bag on it. In the background is the a clock radio
               giving traffic conditions, and the sound of a shower running.

               On the coffee table nearby are some clothes, a pair of blue
               jeans and a black frilly blouse. There is also a purse and
               some other personal belongings, and on the floor, a suitcase
               with clothes strewn all around it.

               JAY, thirties, dressed only in shorts, comes from the
               bathroom to the living room, drying his hair with a towel. He
               stands near the couch, looks out the window at busy Franklin
               street. He then moves to the kitchen, starts coffee. The
               person in the sleeping bag quietly stirs, peeks out, but
               doesn't get up. We can't see who it is.

               Jay makes breakfast, drinks his coffee, looks over at the
               sleeping figure occasionally. He looks a little pissed off.

               INT. APARTMENT -LATER

               Jay, coming from the bathroom, is tying his tie. He is
               dressed in a business suit. Looking over at the sleeping
               person, he stuffs some papers into a briefcase, readying to
               go to work. One last time he looks over at the sleeping bag,
               then grabs a notepad and writes a note, places it on the
               blouse and jeans, turns and goes out the door, slamming it
               loudly.

               The person in the sleeping bag gives a small jump at the
               slam.

               Waiting till the sounds of footsteps recede, a hand snakes
               out of the sleeping bag and grabs the note, pulls it up to
               the opening for a moment. Then the person sits up, reading
               the note. It is a ROBIN, a gorgeous girl, even in nothing but
               bra (or t-shirt) and panties, no makeup, etc.

               INSERT ON NOTE: Robin, you know and I know...it's been over
               for two months. I want you out of here before the end of the
               week! -Jay.

               She looks at the door with a disgusted look, gets out of the
               sleeping bag, yawns, tears up the note. She wriggles into the
               blue-jeans. 

               Barefoot, she crosses the room and looks in the refrigerator,
               which is nearly empty. On the stove is a pan with a little
               cold oatmeal left, looks on the counter, and shakes an empty
               oatmeal box.
               She sits down to eat the rest of the oatmeal out of the pan,
               pouring the last of a carton of milk on it, drinking the
               dregs of Jay's coffee, then slumps back in the chair with a
               disgusted look.

               INT. BATHROOM -LATER

               Robin, now with the black frilly blouse on, is making herself
               up in the mirror. She stops to look at herself in
               frustration...she is aging and can't stop it. She tries to
               cover tiny crow's feet by her eyes but gives up. Still, she
               looks pretty good for those who haven't seen her before. She
               exits the bathroom. 

               INT. LIVING ROOM -SAME

               Robin goes to the front door, peeks outside first, then
               closes and double-locks and chains it. She turns and heads
               for Jay's bedroom.

               INT. JAY'S BEDROOM -SAME

               She enters the bedroom, and in a practiced move, goes right
               to a closet shelf, reaches in under some clothes, pulls out a
               wad of cash rolled up and rubber-banded inside several credit
               cards. She takes twenty dollars out of the middle, then looks
               at it undecidedly. She then pulls out a hundred dollar bill
               also, rolls the roll up again and puts it back and places
               some clothes on the shelf carefully as they were before.

               EXT. APARTMENT -LATER

               Robin is sitting on the steps to the building, smoking a
               cigarette. A resident of the apartment building, an older
               Latina lady, comes down the steps around her, looks at her
               with disdain. Robin looks up at her disinterestedly. 

                                   WOMAN
                         You're not supposed to smoke on the
                         stairs! It goes inside!

                                   ROBIN
                         Fuck off!

                                   WOMAN
                             (louder)
                         You're not even supposed to be
                         living here!

                                   ROBIN
                         Go fuck yourself, you fat pig!

                                   WOMAN
                         You little bitch! I'm going to
                         report you to the manager!

                                   ROBIN
                         Go ahead, see what I care!

               Woman exits scene huffily.

               Robin looks after her with a stony look. When the woman has
               gone, she buries her head in her hands.

               EXT. APARTMENT -LATER

               Robin carelessly stubs out the cigarette on the steps, gets
               up tiredly and walks to the corner, where the light is red.

               She stands there a moment, surveying the world around her.
               Looking down the street, she sees a man in front of a big
               house preparing to wash his Mercedes. 

               Brightening up, she ducks behind the light pole, thinking.
               With a small smile, she loosens a couple of the top buttons
               of her blouse, and walks across the street as the light turns
               green. Several male drivers look at her appreciatively as she
               does so.
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Script created with Final Draft by Final Draft, Inc.